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	<title>Comments on: Lala revisited</title>
	<atom:link href="http://davidchaitt.com/2009/03/25/lala-revisited/feed/" rel="self" type="application/rss+xml" />
	<link>http://davidchaitt.com/2009/03/25/lala-revisited/</link>
	<description>The things I love and what they mean to me</description>
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		<title>By: D.Wagner</title>
		<link>http://davidchaitt.com/2009/03/25/lala-revisited/#comment-99</link>
		<dc:creator><![CDATA[D.Wagner]]></dc:creator>
		<pubDate>Tue, 31 Mar 2009 03:39:51 +0000</pubDate>
		<guid isPermaLink="false">http://davidchaitt.com/?p=905#comment-99</guid>
		<description><![CDATA[It just dawned on me that www.davidchaitt.com is very similar to the shameless self promotion @ www.imoscar.com]]></description>
		<content:encoded><![CDATA[<p>It just dawned on me that <a href="http://www.davidchaitt.com" rel="nofollow">http://www.davidchaitt.com</a> is very similar to the shameless self promotion @ <a href="http://www.imoscar.com" rel="nofollow">http://www.imoscar.com</a></p>
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		<title>By: NeoCon</title>
		<link>http://davidchaitt.com/2009/03/25/lala-revisited/#comment-97</link>
		<dc:creator><![CDATA[NeoCon]]></dc:creator>
		<pubDate>Fri, 27 Mar 2009 16:46:48 +0000</pubDate>
		<guid isPermaLink="false">http://davidchaitt.com/?p=905#comment-97</guid>
		<description><![CDATA[In time, everything old becomes new again.  How many people are now buying up old vinyl 33 records?  I am friendly with professional photographers who are moving back into film.  Will &quot;hard&quot; recordings be around in the future, yes.  But, they will only be a shell of its former self.]]></description>
		<content:encoded><![CDATA[<p>In time, everything old becomes new again.  How many people are now buying up old vinyl 33 records?  I am friendly with professional photographers who are moving back into film.  Will &#8220;hard&#8221; recordings be around in the future, yes.  But, they will only be a shell of its former self.</p>
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		<title>By: D.Wagner</title>
		<link>http://davidchaitt.com/2009/03/25/lala-revisited/#comment-96</link>
		<dc:creator><![CDATA[D.Wagner]]></dc:creator>
		<pubDate>Fri, 27 Mar 2009 11:06:55 +0000</pubDate>
		<guid isPermaLink="false">http://davidchaitt.com/?p=905#comment-96</guid>
		<description><![CDATA[Great post. I think many more people appreciate album art than you initially believe. This was the main intent of &quot;Cover Flow&quot; mode on the Mac &amp; initially iTunes. While the general public is mostly ignorant, the core of the music community and even its surrounding &quot;suburbs&quot; would be horrified if an album, however acquired, was missing cover art. This is actually one of my main pet peeves when I &quot;share&quot; music is when iTunes can&#039;t find the music, thus I purchase a large majority of the music I own. Especially during my iPhone days, where the iPhone made the cover art a large part of the music listening experience. 

Beyond just the front cover, I miss the death of the inside and pullout sleeve art &amp; commentary by the artist. I remember during my vinyl, tape and CD days sitting around a new tape/cd or by my parents mound of vinyl and carefully reading through the pages of literature provided by the artist as I deconstructed their music. Interestingly enough, the &quot;Journey to the Center of the Earth&quot; original soundtrack was one the most captivating pieces and I treasured it. 

With regards to the duplicating music, your argument is sound. However, the backstory may be a little more complex. Umbrella licensing for clubs, radio and other venues was a huge thorn in the side of the music industry and for years it has been debated. Why non-terrestrial radio and internet radio is &quot;taxed&quot; by additional fees baffles me but the reason is probably very simple: It&#039;s new, BIG Music is old and confused. But let us not forget the greatest pirating medium of our early childhood, the magnetic tape. Mix tapes between young sweethearts, taping from the radio, and copying VHS from the movie store was a large issue well before the internet or CDs. Still you are absolutely correct, P2P became the medium on which this activity rose to a massive and international scale. Nice post.]]></description>
		<content:encoded><![CDATA[<p>Great post. I think many more people appreciate album art than you initially believe. This was the main intent of &#8220;Cover Flow&#8221; mode on the Mac &amp; initially iTunes. While the general public is mostly ignorant, the core of the music community and even its surrounding &#8220;suburbs&#8221; would be horrified if an album, however acquired, was missing cover art. This is actually one of my main pet peeves when I &#8220;share&#8221; music is when iTunes can&#8217;t find the music, thus I purchase a large majority of the music I own. Especially during my iPhone days, where the iPhone made the cover art a large part of the music listening experience. </p>
<p>Beyond just the front cover, I miss the death of the inside and pullout sleeve art &amp; commentary by the artist. I remember during my vinyl, tape and CD days sitting around a new tape/cd or by my parents mound of vinyl and carefully reading through the pages of literature provided by the artist as I deconstructed their music. Interestingly enough, the &#8220;Journey to the Center of the Earth&#8221; original soundtrack was one the most captivating pieces and I treasured it. </p>
<p>With regards to the duplicating music, your argument is sound. However, the backstory may be a little more complex. Umbrella licensing for clubs, radio and other venues was a huge thorn in the side of the music industry and for years it has been debated. Why non-terrestrial radio and internet radio is &#8220;taxed&#8221; by additional fees baffles me but the reason is probably very simple: It&#8217;s new, BIG Music is old and confused. But let us not forget the greatest pirating medium of our early childhood, the magnetic tape. Mix tapes between young sweethearts, taping from the radio, and copying VHS from the movie store was a large issue well before the internet or CDs. Still you are absolutely correct, P2P became the medium on which this activity rose to a massive and international scale. Nice post.</p>
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