I just got off the phone with Ropeadope artist and friend Clay Ross.
About an hour ago, he emailed me along with other friends and special fans about his upcoming CD Release party at Joe’s Pub. My initial response to him was, “This is the type of shit that makes a difference for artists today…direct contact with the customer aka fan. But I would have reworded some of what you said. If I come [to Marco Benevento's show] tonight, I’ll let you know why I said that.”
Immediately, he calls me back, leaves a message because I was busy talking to my roommate, and ALSO emails me saying, “well shit man, tell me now before I send out the rest of em…”
I got the feeling he wanted to talk now, so I called him back and told him the following: “if you’re emailing friends and fans, you want to make it about THEM, so minimize the “I’s” and maximize the “You’s” in the email.”
You need to see the CD Release Party as a party for the fans because they make your career. He gets that because he wouldn’t have written the email in the first place if it wasn’t the case, but he had to rework a couple of his paragraphs.
Personal emails help bridge the gap between fan and musician. It lets them know you value them as fans and it makes the fans feel special because they’re a part of your life.
I made the analogy of promoting a shows to a generic salesman. I told him I have friends in sales who know their client’s spouse’s name and their kids’ birthdays, for example. These sorts of things make people comfortable with giving you money for your goods and/or services. As a musician, your service is creating sounds that evoke emotion in people that make them want to listen again and again, see you live, buy your CD, wear the t-shirt, subscribe to your email list…basically continually give a shit about you. Otherwise, someone is going to sway your fans into liking them better than you.
So when writing emails, playing shows, recording albums, or blogging for example, remember it’s about them, NOT about you.
Creative Packaging…gimmick or trend setting?
21 08 2009Some of you have seen this video by now from Moldover, so it won’t be new news, but I thought I’d add it anyway for those who haven’t. However, I have no intention of commenting on his music, just his unique packing scheme as well as his means to promote it.
I commented on this Hypebot post earlier today that he was selling that packaging that came with a CD and still stand by that remark.
The price breakdowns for the CD are as such (taken from Moldover’s site):
So the main question is whether this is a one-time gimmick or will people adapt creative packaging concept with their own flare. Maybe an afro-beat band that sells shakers with USB ports in them. Joking aside, hopefully most bands will take this off the grid idea and run with it. “It” is not necessarily the packaging, but rather unique ways outside of the music itself to market the music.
I’d be curious to know, which sells more and do people buy it for the theremin or the music or both? So Moldover, if you’re reading this, please contact me and let me know how sales are doing so far?
My prediction is that he will sizzle as people watch the video and then cool down just as quickly because of the style of his music. Also, I predict that his Awesome package will not sell well because the amount of people who know what a theremin is, would pay $50 for it, as well as would know how to/would want to use a theremin are so few (Wayne Coyne aside). BUT I’m not a prophet, so prove me wrong Moldover and call me on it!
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Tags: CD packaging, hypebot, Moldover, Theramin
Categories : Career Advice, Industry Commentary