Bob’s at it again

24 09 2009

Bob Lefsetz, the writer of the infamous Lefsetz Letter, is always causing trouble.  He gets so ridiculous sometimes that I completely ignore his emails for whole weeks at a time.  To give you an idea of what he’s like, check out this video of him battling Gene Simmons from Kiss.

This is Bob

So today I see an emailed entitled:  From Lily Allen.  I thought to myself, “this has got to be good.”

…and it was.  Her last sentence sums it up (note:  there are obvious grammar and spelling mistakes):  “you’re piece yesterday was mildly interesting, todays is insulting and I’ll be consulting my lawyers on the matter.”

Bob’s beauty lies in his ability to piss people off and insult them, which de facto causes everyone to question the standards and practices of the music business.  He usually doesn’t offer solutions, but that’s for the loyal readers to figure out.  I realize that now.  So keep it up Bob because there’s plenty of truth out there that I need to uncover from your smoke signals.





People are making money, so don’t blaim the “recession”

23 09 2009

I get daily emails from Entrepreneur.com, so when I read this article, I was struck by this particular quote: “Don’t blame the economy. Recession or no recession, if your small business is failing, it’s your fault.”

A band is a business, so an unknown band can be considered a small business, so treat it as such. How is it that Allison Weiss was able to raise $7,711 using Kickstarter? I had a chance to talk to the founder, Yancey Strickler, at the NY Music Tech Meetup last month and had a great time discussing the potential of Kickstarter for bands.

So if you’re not selling CD’s or concert tickets, you’re doing something wrong. Pay attention to your marketing and promotional efforts, see what could be done differently, and try something new. It can’t hurt because there’s no set formula for success anymore. Worse case scenario, you go back to what you were doing before, but at least you tried.

Be creative. Be bold. Make people give a shit about you.





5 New Bands (9/21)

21 09 2009

Sarah Harmer – Canadian Neko Case….nuff said.

The Doves – I just listened to the soundtrack to (500) Days of Summer because I remembered how much the music helped shaped my opinion of the movie. The Doves track on there is ridiculous, so I listened to more. They’re one of the few bands I can call legit rock music ever since Kings of Leon became U2 of Nashville.

Paolo Nutini – I was supposed to see Paolo open for Amy Winehouse, then she had to go to rehab and I completely forgot all about him until recently. I LOVE SOUL MUSIC!!! But not many singers can truly pull it off. He’s like Otis Redding meets Van Morrison, so DEF check him out.

Thao and The Get Down Stay Down – I first saw Thao do NPR’s Tiny Desk Concert. I felt like there’s was something unique to her, but I think she’s reaching her potential with a full band. She’s like a folkier female version of G. Love meets Jack Johnson. She always seems happy, which is an awesome thing.

The Courtesy Tier – Singer Omer went to high school with my buddy Jared from Carlon, so I had heard these guys before, but never actually saw them until last Wednesday. For two people, they have a HUGE sound in a style I can only call punk blues.





Gig Swappin’ is a Beautiful Thing

16 09 2009

As I promised my buddy Andrew who runs the Artists House twitter, I wanna educate up and coming bands to beauty of the gig swap.

First off, what is a gig swap?

A gig swap is essentially an agreement with an out of town band where you go to their city to open a show and you reciprocate in your hometown.

Generally speaking, the key is to find a band in another city who:

  • sounds similar, but not too overlapping in style (ie would their fans like you)
  • has a similar draw to you in your respective hometowns. Lopsided swaps are unfair.
  • has a light draw (at least 10) in your hometown that can expand your local fanbase.
  • is responsible, accountable, and reliable (more on that later)

So now the question is how do I find local bands:

  • Contact a venue for suggestions
  • Contact friends you may have in that city for suggestions
  • Contact bands in your city who have played the live market you’re interested in playing for suggestions
  • Search a concert database such as Jambase or Pollstar for bands who frequently play in a given city and send them a MySpace message or email.

As I mentioned earlier, I need to emphasize the reliability of the band you plan to swap with.  Before you confirm the booking of both gigs, make sure each band knows their responsibilities, what each of your compensation’s will be, and what the expectations are in regard each others’ turnouts.  In most cases, “surprises” are for people who aren’t prepared or didn’t do their job, so proceed with caution.  To save yourself a lot of disappointment, pay close attention to your initial correspondence because it’s usually telling of their character on whole.

I would recommend having the gigs booked around 3 months in advance.  That way, it gives you time to book a follow up gig in that city within a month after you do the swap.  This way, you can mention it on stage and also you will stay in people’s minds.  However, please please please please please bring a fucking clipboard with you to gather people’s info.  It’s your job to remind them, not their job to remember that you’re playing again.

If things go as planned, you should have at least 100 people playing in front of you and you should be happy if 20 of them come to see you the next time you’re in town.  It is essential to change it up and play with different bands of your caliber in other cities in order to get as many fans-to-be in front of you.  However, you best follow through with your end of the bargain and pack the house when they come to your neck of the woods.  It all comes back to accountability!!!  Execution and accountability are how you make a positive reputation for yourself.





The Art of the Newsletter

8 09 2009

In this industry, numbers are power. No better place to show your prowess than by your band’s mailing list.  But if you’re a nobody, what are some ways to use the newsletter effectively to grow your fanbase.

The purpose of the mailing list should be to reflect, inform, allude, display visible and effective calls to action, and to remember the power of “We”.

  • Reflect on what you’ve recently accomplished: recent tour, an album, a new manager, someone got engaged (note: it shouldn’t always have to be music-related), your growth over the year, how an interview went with a blogger
  • Inform them what you’re doing now as well as interesting aspects of the band or band members that people might not know about: rehearsing for an upcoming tour, writing new songs, in the studio, your drummer’s favorite salsa recipe, top 5 favorite beers, just finished a music video
  • Allude to good things to come:  upcoming tourdates (headlining or opening slots), new album coming out soon, new band members, you have a contest coming up soon
  • Calls to action: join our street team, buy our merch, tell a friend about the newsletter (very key), buy tickets to an upcoming show
  • The power of “We” is simple:  minimize the I’s, me’s, and my’s because the fans are the reason you’re where you are (note:  see my “It’s about them, NOT about you” post), so include them as part of the newsletter in the form of We.

Inform and reflect are meant to invite your longtime fans, recent fans, and fans to be into your life.  The pretentious wall between fans and musicians that had been erected a long time ago has been ripped down for years whether you want to believe me or not.   It’s your story and your personality that make people fans because, most likely, there’s hundreds of other bands that sound almost exactly like you.  Fans want to know what your songwriting process is like as well as what’s in your fridge.

However, the most important part of all of this is to TELL PEOPLE YOU HAVE A MAILING LIST.  Have a sign up box on your main website, embed the box or periodically inform people on all your social networking sites, and bring a sign up sheet and make a reminder on stage at all your shows.  If people don’t know, it’s useless.

Now, you’re probably going to ask, “Well I figured out what content I want to have on the newsletter, but how do I actually make one?”

The answer is one of two possibilities:  use a free or cheap template provided sites like Fan Bridge or Reverb Nation or hire a designer (or do it yourself if you understand HTML and Photoshop) to make a unique layout and design.  That choice is dependent upon how much time you can realistically spend on this and what your money situation is.  A killer newsletter can most certainly get people’s attention and be a benchmark of your differentiation, but for a lot of people, money is tight and you just have to what you can with the resources you have, so the free/cheap version is most certainly a viable option.

I  just went over the purpose and suggested content of a newsletter, but if you have any specific questions, feel free to contact me.





5 New Bands (Labor Day Edition)

7 09 2009

In the past two weeks, I have uncovered some pretty interesting bands, but these are the top 5 greatest hits.

Bersarin Quartett: Cinematic Orchestra meets BT’s “This Binary Universe”…sheer epicness.

The Freelance Whales: Saw these guys playing in the subway in Brooklyn in May and fell in love with their music. I could write a whole post on these guys, but I won’t. Quirky, experimental pop with the aid of banjo, harmonium, glock, and 4-part harmonies. Basically, they made the album Death Cab For Cutie should have made after Plans.

Damien Jurado: “Being There” Wilco meets “Yankee Hotel Foxtrot” Wilco. He’s on Secretly Canadian, so he’s legit. Just give him a listen.

The Features: I saw them on Lake Fever Sessions and thought they were soulful indie folk rockers. In a weird way, the singer sounds like Adam Levine and little bit of Eddie Vedder. Listening to their MySpace almost seems like a different band. However, I did notice they had a few dates opening for Kings of Leon, so I can tell you that they’re being groomed for success. Keep your eye out for these guys.

Jon Kennedy: I was listening to Bonobo on Lala and decided to use the “Related Artist” suggestions, so I clicked on Jon. I’ve been into jazzy loungy electro hip-hop for a while, so Jon was just what wanted to hear. It’s something to, sayyyyy, put on the background and write a blog post.

So that’s all.  Listen to the bands and tell me what you think.








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